On His Majestys Secret Service - Roland Shaw And His Orchestra* - The Return Of James Bond In Diamo download full album zip cd mp3 vinyl flac
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Page Build Time: 0. Fleming, Ian. The Knack "J. Space March capsule in Space "J. Vendetta "J. The Danny Scipio Theme "J. The James Bond Theme "M. Goldfinger "J. Bricusse - sung by Shirley Bassey". Diamonds Are Forever "J. Black - sung by Shirley Bassey". From Russia With Love "L. Bart - sung by Matt Monro". You Only Live Twice "J.
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Until September King Kong Zulu The Specialist Hallmark On His Majestys Secret Service - Roland Shaw And His Orchestra* - The Return Of James Bond In Diamo Bond Theme Mister Kiss Kiss Bang Bang Under The Mango Tree Live And Let Die James Bond Theme Reprise The Godfather Theme From "Shaft" Liberty 1A Goldfinger Shirley Bassey From the film soundtrack Goldfinger.
Thunderball Tom Jones From the film soundtrack Thunderball. Moonraker Shirley Bassey From the film soundtrack Moonraker. Image supplied by finniii. In fact, it was while parking his Rolls near his home in Barnes purchased with a royalty check from Tutti Camerata that he got his break with Decca Records. Barry Lunga Vita Al R n B - Ladri Di Biciclette - Figli di Un Do Minore blended his jazz and bop background with lush romantic strings On His Majestys Secret Service - Roland Shaw And His Orchestra* - The Return Of James Bond In Diamo heavy Wagnerian brass chords interspersed with fabulous, soaring breaks that wailed over the propulsive drums and bass to create a sound that defined the cool of Bond every bit as much as the beautiful girls, designer clothes, exotic locations and futuristic gadgets.
John Barry epitomized Swinging London just as much as the spy whose musical identity he forged on the big screen. Barry is seen here with his then wife, actress and singer Jane Birkin. Record labels were jumping over themselves to create knock-off compilations of Bond and other spy music, using various Easy Listening arrangers and scratch bands.
The results were frequently lacklustre, but every so often these cover versions struck gold. Then fat, funky bass On His Majestys Secret Service - Roland Shaw And His Orchestra* - The Return Of James Bond In Diamo combine with propulsive guitar licks even throwing in a bit of wah-wah for good measurelatin drums and stabbing brass to give the whole thing an extra tinge of pop and of the exotic.
Many Phase 4 albums highlighted unusual percussion and other sounds from world music to lend a sense of travelogue to their albums. It was the first title sequence in a Bond film not to feature a vocal. In the wake of Bondmania, film and television companies fast-tracked numerous secret agent projects, all demanding their own John Barry-tinged music.
But he also added his own elements percussion and jazzy improvisations to convey a sense of the send-up that the film encapsulated. Back in the U. It perfectly mirrors the cheeky quality of the character and show. This kind of unusual instrumentation was typical of the genre, and is why so much of this music is such a good fit for the exotic orchestral palette of Easy Listening records. The iconic theme song, by his long-time collaborator Henry Mancini, undoubtedly influenced later composers working in the genre including Barry.
In his version, Roland Shaw doubles that guitar line with an early synthesizer, adds some percussion pops for Hi-Fi glitter, and plays up the drums and jazzy improvised elements. Not all spy movies of the 60s were upbeat. The muted, evocative score was by Sol Kaplan. The music was also by John Barry, who used his taste for exotic instrumentation in this case the cimbalom to evoke eastern menace on the streets of London.
George Segal and Alec Guinness starred in this straight ahead cold war thriller, with a script by Harold Pinter. In finest Easy Listening fashion, even Shaw was not afraid to go with a somewhat cheesy vocal arrangement when called for. Note, as always, the fabulous drumming and that On His Majestys Secret Service - Roland Shaw And His Orchestra* - The Return Of James Bond In Diamo rhythm guitar. I wonder how many bachelor pads have echoed to this track at the cocktail hour….
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